Hitchcock meets 'Lord of the Flies' in this thrilling play directed by Rikki Beadle-Blair.

Zack Polanski presents Rikki Beadle-Blair's glorious 'Hello, London!' play at City Hall.

A dive into the world of sex work, drugs, internalised homophobia, betrayal & desperate need for love in the criminal classes.

This one-man show, premiering in London, is a ‘hilarious, honest and raw’ exploration of the authentic bisexual experience.

John R. Gordon's visionary comic is transformed into a scorching play directed by Rikki Beadle-Blair.

How do you show and receive love when you have no guide as a Black man, let alone a Black gay roadman?

A Greek-Cypriot dad battles with his estranged wife and angry gay son while refusing to deal with his own secret sexuality.

A powerful audio play written by John R. Gordon and directed by Rikki Beadle-Blair.

A moving one-act play by playwright Tom Ratcliffe exploring love and loss.

Three companion volumes of monologues for actors featuring queer, working class and underrepresented ethnicities.

Sonny Nwachukwu's seductive choreopoems are coded with pathos, passion and power.

I AM [NOT] KANYE WEST is a provocative solo show that asks how much of ourselves are we willing to lose in order to win.

A tender, funny, uplifting love story for the post-chemsex generation.

A delightful comedy about mid-life crises, sexuality, family and new beginnings.

#Hashtag Lightie was award-winning playwright and artistic director, Lynette Linton's breakout work.

A cutting-edge romantic comedy about homeless, multiracial trans youth and elders by Rikki Beadle-Blair.

Created by artist, Urbain Hayo, and written by Tom Wainwright, this lauded play about police brutality is not only powerful, but necessary.

Literary maverick, John R. Gordon is also the acclaimed graphic novelist and illustrator of the Yemi & Femi series.

Alexis Gregory's sexy, critically-acclaimed smash about a glamorous trans sex worker in the throws of an emotional meltdown.

Directed by Rikki Beadle-Blair and co-dramaturged by John R. Gordon, these plays remain radical and inventive.